Unnecessary Notice
2017, 450* 450* 700mm
Loudspeaker, Aluminum
The work,“ Unnecessary notice”, started with a performance on the demolition site. And discussing the question which refers to the structure of rights behind facts.
About the performance, it is that I played 6 voices which were from the new city zone by the microphone. It is worth mentioning that the 6 voices are respectively from the station, the square, the school, the hospital, the business street, and the factory. They are the basic elements of a modern city. I famously declared the possibilities of the ancient cities in the future, which is a sense the hospice care. It is ironic that the ‘care’ was given compulsorily. The microphone is the evidence. The intervention of a power machine can increase the inequality of speaking right. The side which is weakness just endures the ‘alms given’ from the other. As the result, from the event which shows the opposition between the ‘purpose’ and ‘method’ we could point out the issue that the correspondence between civilization and violence.
非必要通知
2017, 450* 450* 700mm
扬声器喇叭，铝片
作品《非必要通知》以发生在古城拆迁现场的一次行为开始，并凭借双装置构成来讨论事实背后的权力结构所产生的问题。
行为内容为在古城街道中用喇叭播放提前在新城区域录制的6段音频，这6段音频分别为车站，广场，学校，医院，商圈，制造厂，它们是一个现代城市正常运 作的基本要素，我向命不久矣的古城高调宣布着毁灭之后的可能走向，犹如临终关怀一般。然而这种关怀却带有着强制手段，证据就是手中的扩音机器——器物 的介入增加了这种话语权的不对等，被喊话一方只能被动承受这种单向的‘施舍’ 。所有的对立均以‘目的’与‘手段’的矛盾为表征，纷纷指向了文明与暴力的一致性问题。