Can
2024, 1220*3300*930mm
White oak, Birch plywood, Lacquer, Iron, Hemp, Resin, Oil pigments, Rubber, Straps
The balance and tension presented in the installation Can are not merely physical phenomena but serve as metaphors for the ubiquitous contradictions and reconciliations in human society. This balance and opposi- tion are dynamic and ever-changing, much like our lives—constantly seeking stability, only to be disrupted and reshaped by new forces. The relationship between humans and nature is fragile and delicate. Hunters possess highly modernized hunting tools and various industrially produced emergency devices. While these are advantages of humanity, they can sometimes turn into disadvantages as well.
罐头
2024, 1220*3300*930mm
白橡木, 桦木多层板, 大漆, 铁, 麻布, 树脂，油彩颜料, 橡胶, 绑带
“战术罐头”这件装置所呈现的平衡与对抗，并非简单的物理现象，而是人类社会中无处不在的矛盾与调和的隐喻。这种平衡与对抗，是动态的，同时也是变化的，就像我们的生活，永远在寻找着某种稳定，却又不断被新的力量打破和重塑。人与自然之间的关系是脆弱而微妙的。猎人有非常现代化的狩猎工具，工业化产出的各种应急设备，这既是人类的优势，但有时候也会成为人类的劣势。